Di Nka in Igbo folk lore is a highly talented artist, a creator with god-given skills, a master craftsman. That is my father's titular name given to him by his peers and elders in my hometown. Whenever he received visitors, particularly men folk, they would first hail him by this name or when he attended village meetings, or the Nimo Brotherhood Society meetings. I thought the name suited him to a tee because he is a master of his craft, he possesses a god-given talent and is indeed a slave to his master - the arts.
As far as I have known my father, he has been totally dedicated to the development and growth of a contemporary Nigerian art through a process of 'natural synthesis' (his words) that emerges from our traditional art. This calling has driven him all his natural life and he has poured in everything within him to achieve what ever goals he set for himself in this journey of contributing to the greater good through the arts.
It has certainly not been an easy journey both for himself and for his family and I would like to think he has made considerable progress, not by himself but in conjunction with many other significant men and women who had similar notions and ideals, who loved Nigeria, were patriotic, nationalistic and idealistic. That was the time in which my father went to school, studied arts against the odds and looked forward to serving his country.
The kind of idealism that produced literary luminaries such as Chinua Achebe, Wole Soyinka, J.P. Clark, Christopher Okigbo, Cyprian Ekwensi, Dora Efudu, Elechi Amadi, and outstandingly talented visual artists like Uche Okeke, Obiora Udechukwu, Chike Aniakor, Bruce Onobrakpeya, Demas Nwoko, Yusuf Grillo, Simon Okeke, and so on. Great theater and film artists also emerged from this ilk.
Nigeria was an exciting place to be in that time, talent was appreciated, merit was rewarded and hard work applauded.